Date
31 July - 24 August
Time
9:05 pm
Venue
Underbelly Cowgate
suitability
Age 16+ (Guideline)
Tickets from
£9.00
Theatre
The Faustus Project
An actor makes a deal with the devil...
This new version of Christopher Marlowe's Doctor Faustus features a rotating cast of brave guest performers taking on the challenges of a devilish ensemble. One problem... they've never rehearsed with the rest of the cast.
The Faustus Project is funny, a little dangerous and an actor's worst nightmare. With a fresh victim every night, this will be the ultimate theatrical torture. Funny, dangerous, devilish.
Presented By
Half Trick / BJA Productions
Duration
60 minutes
Advice
Audience participation, Contains distressing or potentially triggering themes, Nudity, Scenes of a sexual nature, Scenes of violence, Strobe lighting, Strong language/swearing
Price
Tickets from
£9.00
Accessibility
Experimental. Dark Comedy
For more information on accessibility and to book tickets, please contact the box office at access@underbelly.co.uk, or visit https://underbellyedinburgh.co.uk/your-visit/accessibility
Wheelchair Spaces
reviews
Select a performance date and time
You might also like
CADEL: Lungs on Legs
The epic true story of the first Australian to win the Tour de France, live on stage. Performed entirely on a bike in an epic theatrical feat of endurance by acclaimed Australian actor Connor Delves. Pedalling non-stop for an hour, he recreates the thrilling journey of Cadel's 2011 Tour de France win, and all the triumphs, heartaches and sacrifices made along the way. “Connor's vision for this show is bold and exciting, and I'm thrilled to be involved from the start. He’ll be riding a BMC, just like I did (and do!), wearing the same yellow jersey I wore, and actually riding on stage every night... how cool is that? I love cycling, and I'm deeply honored that an Australian artist has been inspired to bring my story to life for audiences worldwide. I hope you enjoy CADEL, and I encourage you to support Connor and his creative journey in giving the show a long life. See you there!”– Cadel Evans
I AM – A Walking Universe
From the creator of Most Memorable Show (Lustrum Award Winner, 2023). Part of the modular series I AM. Enter the studio of LULA.XYZ, where words come to life. As she attempts to pen the next chapter to her namesake character, the girl next door who just happens to be Eritrean/Ethiopian, life intervenes. It’s the black woman curse. A poetic reflection of overt medical racism happening now in the UK, using wearable technology MiMu gloves (as used by Imogen Heap). Neither a musical, nor drama: a new kind of storytelling.
I AM – One of many, many of One
Winner of the Most Memorable Show, Lustrum Award 2023. Part of the modular series I AM. A first-generation immigrant straddles her Habesha (Eritrean/Ethiopian) heritage and British identity only to realise, when you leave everything behind for the promise of something better, it’s not "better". A poetic reflection on memory loss, displacement, tradition and survival, interwoven with language, customs, music and wearable tech MiMu gloves (as used by Imogen Heap). Neither a musical, nor drama: a new kind of storytelling. Outstanding Performance nominee Filipa Bragança Award, 2023.
I Dream in Colour
‘You’re fighting for equal rights or some such shit, and that’s the problem: I’m still fighting for the right to exist.’ Sophie has a choice: surgically remove her one remaining eye containing a tumour, or risk eye cancer. Again. No brainer, right? But from invasive medical interventions to sexual assault to social ostricisation in her community, Sophie has been shown over and over again that she does not matter. Not to mention her parents have done everything to save this one eye... It is a choice between her and her parents’ wishes: can she start valuing herself this time? Shortlisted for the Charlie Hartill Award, I Dream in Colour is a semi-autobiographical, one-woman show exploring the intersections between disability, race, gender, and the tumultuous relationship we have with our bodies and ourselves when we straddle the margins of multiple minority groups. Weaving storytelling, stand up comedy and spoken word, it seeks to ask the question: how do we navigate a world that reminds us every day we should not even exist?